Religion and Philosophy in Chinese Calligraphy – Daoism In Chinese Calligraphy: Dualism, Harmony and Contemplation

 

Lao Zi and the Dao Jing: Ancient Philosophy

Alongside Confucianism, Taoism forms the fundamental basis for much of Chinese Culture. Its origins lie in the philosophical works of Lao Zi, (老子/Lao Tse), in particular the Dao De Jing (道德經/Tao Te Ching), or Classic of the Virtuous Way. The name of the tradition itself comes from the central idea of ‘dao’, or ‘the way’.

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History of Sumi-e – The Beginnings and Early Forms of Chinese Painting

 

The Beginnings of Painting in China

Painting in China has a long and colorful history which can be traced back as far as 3000 BC, although practically no paintings of this time still exist. It was not until the Han Dynasty (210 – 220 BCE) that painting was accepted as an independent art form, but archaeological discoveries from a tomb in Changsha, Hunan province, from the Chu culture included a piece painting on silk, showing the deceased riding on a dragon.  This is an evidence of early Chinese painting, and proves that silk as a painting material was used as early as in the 7th century BC. By the 1st century CE, silk was slowly substituted by the more durable and cheaper paper, although it never completely vanished.

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The Cultural Background of Ink and Wash / Sumi-e Painting: An Introduction

 

Ink and Wash / Sumi-e Painting and its Place in History

Ink and wash painting in China is truly a living art with a long tradition. From its very beginnings in the Han Dynasty until very recent currents in the 21st century, ink and wash painting is an art which has been continuously and actively pursued. Starting off from a rather humble background as a derivative of calligraphy, painting was technically refined, went through highs and lows, sometimes stagnated in techniques and motifs, until being revived and modernized, while being continuously supplied and fed by philosophic and religious influences. Ink and wash painting developed into an art which is more than any other art form a subjective reflection of the painter’s inner world. This subjectivity may be the reason why painting never lost its independent character, even in times of political and social turmoil.

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History of Sumi-e – Art an Painting in China in the Golden Age – Han Dynasty

 

The Impact of Secular Developments on Chinese Painting: The Han Dynasty

Until the Han Dynasty (210 – 220 BCE) painting were mostly of religious nature and showed either Daoist scenes, rituals connected to ancestor worship, or illustrations of Confucian moral themes.  These religious or philosophic motifs were not abandoned in the Han Dynasty – mural paintings in particular include depictions of higher beings such as guardian spirits. These pictures are often executed on tiles or bricks; contemporary documents also state that the walls of palaces, halls and houses were covered with paintings. The growing economical expansion and contacts to foreign travelers through the Silk Road caused artists to depict scenes from daily life in this flourishing period merchants, artisans, even slaves and soldiers were illustrated in figure paintings. This variety in themes and motifs was not only limited to painting, but other kind of art as well, such as pottery or lacquerware.

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Cultural Sources of Ink and Wash / Sumi-e Painting – The Influence of Daoism on Ink and Wash / Sumi-e Painting

 

What is Daoism?

Daoism is said to be the indigenous philosophy and religion of China, with the philosopher Laozi as the author of the Daodejing and founder of Daoism. It is not wrong to call it both philosophy and religion, because both forms are deeply linked with each other and difficult to separate. “Dao” means “way”, but can also be translated as “method” or “principle”. It is believed that everything in the universe is made by the “Dao”, which is thus the driving force behind all that exists, and at the same time, it is nothing. The main goal is to live in balance and harmony with the Dao.

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