History of Chinese Calligraphy – The Origins of Calligraphy in Ancient China: Bronze Inscriptions in Zhou Dynasty

 

The Zhou State: Feudalism and Tribute

It is not clear exactly what brought about the decline of the Shang (商) civilization. What is clear is that in approximately 1050 BCE, the Shang was defeated and replaced by the incumbent Zhou (周/Chou) state. By way of comparison with Western history, this was slightly after the end of the Egyptian New Kingdom, and slightly before the assumed birth date of the Biblical King David.

more »

History of Chinese Calligraphy – The Origins of Calligraphy in Ancient China: The Warring States Period (戰國時代/Zhan guo Shi Dai)

 

The Warring States (戰國時代 / Zhan Guo Shi Dai): the Decline of Zhou

As time passed, cracks began to form in the Zhou kingdom. Managing a feudal state the size of China was difficult to manage when it relied largely on the strength of lineage relationships, many of which were incredibly distant. (Map) As these relationships decayed, the lower ranks began to assert greater an greater degrees of autonomy, until it was not the nominal ‘rulers’ who wielded political power, but their subordinates. Eventually, all ties to a central Zhou ruler would be severed and China as we know it was divided up into a considerable number of smaller states that warred more or less continuously for about 200 years, from 475 BCE to 221 BCE.

more »

History of Chinese Calligraphy – The Golden Age of Chinese Calligraphy: Han Dynasty (漢朝/Han Chao/Han Ch’ao) and the Age of Text

 

The Formation of a Literati Class During Han Dynasty as an Ascendant for the Tradition of Chinese Calligraphy

After only a decade and a half, the Qin Dynasty fell apart. However the Han nation, under the direction of Liu Bang, quickly defeated the 18 Kingdoms to reunify China. The name for the Han Dynasty thus comes from the name of the ancient prinipality of of Han, in modern-day Si Chuan and Southern Shaanxi. Unlike the fall of the Zhou, the 18 Kingdoms period was only a few years long, and the Imperial model was rapidly reasserted. (Han dynasty map)  Central to the success of the Imperial model was the dedication of a class of scribes, officials and courtiers referred to collectively as the ‘literati’. These men (they were usually men) of letters provided the centralized government and social institutions with legitimacy by carrying out and contributing to the political discourse of their times.

more »

Scripts Styles of Chinese Calligraphy: An Overview of Xing Shu (行書) – the Running Script Style

 

What is the Running Script Style (Xing Shu / 行書)  in Chinese Calligraphy?

It was not until after the development of Zhuan Shu, Li Shu and Kai Shu that Calligraphers began to increase the contrast of Lift and Press, improvise with Stroke Order, and even link strokes together. The Running Script is not really a script in the sense that the former, regular Scripts are: there are not nearly as many rules or conventions. Running Script may more accurately be described as a Style, and each Calligrapher will have his or her own personal approach. The Running.

more »

Script Styles of Chinese Calligraphy: An Overview of Cao Shu (草書) – the Cursive Script Style

 

What is the Cursive Script Style (Cao Shu / 草書) in Chinese Calligraphy?

Chinese Cursive is usually referred to as a Style and not a Script. This is due to the lack of discernible rules. The name, meaning ‘rough writing,’ likely refers to the style’s evolution as a quick shorthand for personal notes or drafts never meant as final products, to say nothing of artworks. Following the Han, however, Cursive Styles gained currency as a worthy method of expressing the artist’s innermost feelings. The rapidity and unburdened brushwork certainly has a great appeal to the eye, even if it sacrifices legibility.

more »