What are the Common Motifs in Ink and Wash / Sumi-e Painting?

 

Foreword to Ink and Wash / Sumi-e Painting Motifs

Chinese painting draws from a lot of inspiration from nature, religion and history. When examining Chinese ink and wash paintings, one will realize that there are a number of motifs which are repeated over and over again. There is a broad canon of numerous painting subjects – too many to be listed here. The following text shall give you a brief overview about the most important subjects in Chinese ink and wash painting.

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History of Sumi-e – The Ming Dynasty (明朝/Ming Chao/Ming Ch’ao): Cultural Restoration in Chinese Painting

 

Art Becomes Classic – Blurring of Boundaries Between Academic and Amateur Painting in China

The end of Mongol rule and the re-establishment of an indigenous Chinese emperor in 1368 led to a revival of the Imperial Academy and the painting styles of the Southern Song (960-1279 CE) and the Yuan (1271-1368 CE) Dynasties.  Some painters picked up the painting style of the Southern Song Dynasty, especially that of the Ma-Xia-School. Others continued the tradition of bird-and-flower painting from the times of Emperor Huizong.  Other artists brought colors back into picture and revived the blue-and-green painting style of the Tang Dynasty (618-907 CE). Since most of the Academy painters came from the Zhejiang province, they were named the “Zhe school”. The most notable painter of the Zhe School was Dai Jin. Their counterpart, literati painters from the Wu region in Suzhou, continued in the more expressive and individual styles of the Four Masters of the Yuan Dynasty. They are known as the “Wu school”, of whom Shen Zhou is best known for his eclecticism and ability to paint in the styles of former masters.  Although this two main currents in painting existed, the boundaries between academic and amateur painters blurred – not in stylistic terms, but in attitude, mostly when some literati, who had devoted themselves to nothing else but painting, started to accept money for their works, which had been not the case in earlier centuries.

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